"Am I? Do I strike you so? You know I hate him," Fleda went on. "Why is it you hate him so?" her hostess abruptly inquired.!

"Am I? Do I strike you so? You know I hate him," Fleda went on. "Everything?" Fleda quavered.

"Only last week; it seems a hundred years. We've worked here as fast as we worked there, but I'm not settled yet: you'll see in the rest of the house. However, the worst is over." Fleda had more than one small errand in the big bazaar, and he went up and down with her, pointedly patient, pretending to be interested in questions of tape and of change. She had now not the least hesitation in wondering what Mona would think of such proceedings. But they were not her doing—they were Owen's; and Owen, inconsequent and even extravagant, was unlike anything she had ever seen him before. He broke off, he came back, he repeated questions without heeding answers, he made vague, abrupt remarks about the resemblances of shopgirls and the uses of chiffon. He unduly prolonged their business together, giving Fleda a sense that he was putting off something particular that he had to face. If she had ever dreamed of Owen Gereth as nervous she would have seen him with some such manner as this. But why should he be nervous? Even at the height of the crisis his mother hadn't made him so, and at present he was satisfied about his mother. The one idea he stuck to was that Fleda should mention something she would let him give her: there was everything in the world in the wonderful place, and he made her incongruous offers—a traveling-rug, a massive clock, a table for breakfast in bed, and above all, in a resplendent binding, a set of somebody's "works." His notion was a testimonial, a tribute, and the "works" would be a graceful intimation that it was her cleverness he wished above all to commemorate. He was immensely in earnest, but the articles he pressed upon her betrayed a delicacy that went to her heart: what he would really have liked, as he saw them tumbled about, was one of the splendid stuffs for a gown—a choice proscribed by his fear of seeming to patronize her, to refer to her small means and her deficiencies. Fleda found it easy to chaff him about his exaggeration of her deserts; she gave the just measure of them in consenting to accept a small pin-cushion, costing sixpence, in which the letter F was marked out with pins. A sense of loyalty to Mona was not needed to enforce this discretion, and after that first allusion to her she never sounded her name. She noticed on this occasion more things in Owen Gereth than she had ever noticed before, but what she noticed most was that he said no word of his intended. She asked herself what he had done, in so long a parenthesis, with his loyalty or at least his "form;" and then reflected that even if he had done something very good with them the situation in which such a question could come up was already a little strange. Of course he wasn't doing anything so vulgar as making love to her; but there was a kind of punctilio for a man who was engaged. "I've been out a very short time," said Fleda, who had hung back with the general purpose of making things difficult for him. The street would make them difficult; she could trust the street. She reflected in time, however, that to betray to him she was afraid to admit him would give him more a feeling of facility than of anything else. She moved on with him after a moment, letting him direct their course to her door, which was only round a corner: she considered as they went that it might not prove such a stroke to have been in London so long and yet not to have called him. She desired he should feel she was perfectly simple with him, and there was no simplicity in that. None the less, on the steps of the house, though she had a key, she rang the bell; and while they waited together and she averted her face she looked straight into the depths of what Mrs. Gereth had meant by giving him the "tip." This had been perfidious, had been monstrous of Mrs. Gereth, and Fleda wondered if her letter had contained only what Owen repeated.